CIA control of culture
In July we posted Intelligence Agencies and Satanism as an introduction to organized Satanism and mind control within the U.S. government. Today we are wrapping up that series with a discussion of CIA control over culture.
Cathi Morgan at UK Mind Manipulation has put together a longish piece connecting the CIA’s MK-ULTRA mind-control experiments with the Bilderbergers, the formation of the European Union, and the CIA’s efforts to control cultural organizations. The piece exposes various players in the “web of conspiracy” to control populations and events from the 1940s through the postwar period. This piece is a bit scattershot. We are recommending it mainly because we want to emphasize one part, the CIA’s founding of cultural front groups.
The American Committee on a United Europe (ACUE):
“ACUE’s Vice- Chairman was Allen Dulles, Bedell Smith’s successor as Director of the CIA from 1953 to 1961; its Executive Director was Thomas Braden, head of the CIA’s International Organization Division, responsible for setting up CIA front groups throughout the world . . . David Teacher : Rogue Agents 2011
“The CIA front groups were spreading propaganda, and with powerful, wealthy figures on board via Intelligence organisations they gained significant control of media – movies, books, radio broadcasts, newpapers – ensuring the version of reality they wanted people to believe reached entire populations.”
This sounds fairly innocuous in the context of the cold war, but as we dig into the details you will be surprised at how widespread the cultural fronts were, and still are. There is more to this conspiracy than promoting American artists or “capitalist culture” in a cold war against Communist propaganda.
The centerpiece of revelations about the CIA’s control of culture is Frances Stonor Saunders’ The Cultural Cold War: The CIA and the World of Arts and Letters (2013) and Who Paid the Piper?: CIA and the Cultural Cold War (2000).
Salon’s review of The Cultural Cold War. This brief review names names and offers some useful details, but it is mainly shallow liberal clucking and sneering, void of the deeper context. The Left always opposes the CIA because the CIA has blocked or overturned Communist revolutions. And now, it turns out, the CIA has organized the “social democrats” into front groups to counter all those great Soviet contributions to world culture. By the way, in case you didn’t know, it was illegal for any citizen to write a novel or paint a picture in the Soviet Union. The Soviet culture was officially approved collectivist art. Any individualist artist fled from the Soviet Union or was persecuted.
Conspiracy Archive’s review of The Cultural Cold War includes a preface about subversion in the arts as a complement to violent revolution, leading to avant garde terrorism in the arts. Avant garde terrorism in the arts is still with us today under the rubric of postmodernism and semiotics adopting Cultural Marxism.
Meyer and Steinberg’s review of The Cultural Cold War at Executive Intelligence Review mentions that the Congress for Cultural Freedom enlisted Marxists Max Horkheimer and Theodor Adorno to de-Nazify postwar German culture. How would it have been possible to introduce controlling elements more poisonous to genuine European culture? Cultural Marxism backed by the CIA and a military occupying force was the equivalent of salting the earth so no new crop can grow. Among the elite NWO agents rationalizing this cultural putsch were the evil New World Order dragon Bertrand Russell and The American Jewish Committee. Their greater goal was to combine the social sciences and psychology into a weapon for the radical reorganization of society that would brainwash the citizens of the United States and Europe into becoming degenerate and passive sheeple. The theme of a “battle” between Soviet culture and social democratic culture, with the CIA playing the part of the defender of Western culture, was itself a kind of false front for the greater agenda of constructing the cultural prison planet.
We digress just a bit from our theme of CIA control over cultural organizations to send you to Tavistock: The Best-Kept Secret in America by Byron Weeks at 100777.com. This piece reveals the web of connections among think-tanks, the evil psychologists, the Federal Reserve, the Cultural Marxists, the CIA, and various cultural organizations. The story is much bigger than the theme, “the CIA controlled cultural fronts during the cold war to oppose Communism.”
“They (the network of tax-exempt foundations) have also been closely linked with the American International Corporation, which was formed to instigate the Bolshevik Revolution in Russia. (Frederick) Delano, an uncle of Franklin Delano Roosevelt, was on the original Board of Governors of the Federal Reserve System in 1914. His brother-in-law founded the influential Washington law firm of Covington and Burling. The Delanos and other ruling families of the World Order trace their lineage directly back to William of Orange and the regime which granted the charter of the Bank of England.”
The mind control actually does not extend just from the CIA to cultural organizations, it extends from Tavistock to leaders of all organizations, including corporations:
“From the mid-1950s onward, NTL (National Training Laboratories, part of Tavistock) put the majority of the nation’s corporate leaderships through such brainwashing programs, while running similar programs for the State Department, the Navy, the Department of Education, and other sections of the federal bureaucracy.”
CIA control over cultural organizations continues today. The CIA, military intelligence, and God knows who else are censoring movie scripts generated by Jew-controlled Hollywood. That helps to explain why movies today are unwatchable BS. For one thing, they make sure never to identify our real enemies.
The CIA and the Media: 50 Facts the World Needs to Know by James F. Tracy.
About The Author
Comments